Η υπόδειξη του LVB για το δεύτερο μέρος της σονάτας για βιολί και πιάνο σε λα μείζονα, είναι “molto espressivo”. Υποθέτω θα τον συγκινούσε η ακραία εκφραστική εκτέλεση των Gidon Kremer & Martha Argerich.
[Πάλι …πού ξέρεις;]
LBV’s indication for the second part of his sonata for violin and piano in la major, is “molto espressivo”. I suppose he would be moved by the ultimately expressive performance by Gidon Kremer & Martha Argerich.
[Again …how can you know?]
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Beethoven is full of surprises!
Yes! An endless stream of them. I wish the tribute could last a year!
I don’t know if you’ve heard this one : https://oannes.gr/beethoven-s-rag-piano-sonata-no-32-maurizio-pollini/
On a section [from 6:22] of his final piano sonata LVB is literally anticipating ragtime music…
Thank you!
Lovely… and yes, how can one know?
The guy was extremely unpredictable with an explosive personality which made him impossible to live with, especially the last years of his life. Deafness of course didn’t help.
But it DID help in writing the transcendental music he wrote during these final years [wait till you hear his final string quartets…]
Okay! Love the strings and quartets!